The Animatrick Blog

Yuriy Norshteyn

Yuriy Norshteyn was born in the village of Andreyevka, Penza Oblast, during his parents’ World War II evacuation. He grew up in the Maryina Roshcha suburb of Moscow. After studying at an art school, Norshteyn initially found work at a furniture factory. Then he finished a two-year animation course and found employment at studio Soyuzmultfilm in 1961. The first film that he participated in as an animator was Who Said “Meow”? (1962).

After working as an animation artist in some fifty films, Norshteyn got the chance to direct his own. In 1968 he debuted with 25th October, the First Day, sharing directorial credit with Arkadiy Tyurin. The film used the artwork of 1920s-era Soviet artists Altman and Petrov-Vodkin.

The next film in which he had a major role was The Battle of Kerzhenets (1971), a co-production with Russian animation director Ivan Ivanov-Vano under whose direction Norshteyn had earlier worked on 1969’s Times of the Year.

Throughout the 1970s Norshteyn continued to work as an animator in many films (a more complete list can be found at IMDB), and also directed several. As the decade progressed his animation style became ever more sophisticated, looking less like flat cut-outs and more like smoothly-moving paintings or sophisticated pencil sketches.

Norshteyn uses a special technique in his animation, involving multiple glass planes to give his animation a three-dimensional look. The camera is placed at the top looking down on a series of glass planes about a meter deep (one every 25-30cm). The individual glass planes can move horizontally as well as toward and away from the camera (to give the effect of a character moving closer or further away).[1] He does not use computers in his work.

For many years he has collaborated with his wife, the artist Franchesca Yarbusova, and the cinematographer Aleksandr Zhukovskiy.

Throughout the late 1970s and early 1980s, Norshteyn’s animations were showered with both state and international awards. Then, in a bitter twist of irony, he was fired from Soyuzmultfilm in 1985 for working too slowly on his latest film, a (presumably) feature-length adaptation of Gogol’s Overcoat. By that time he had been working on it with his usual small team of three people for two years and had finished ten minutes.

In April 1993, Norshteyn and three other leading animators (Fyodor Khitruk, Andrey Khrzhanovsky, and Edward Nazarov) founded the Animation School and Studio (SHAR Studio) in Russia. The Russian Cinema Committee is among the share-holders of the studio.

To this day, Norshteyn is still working on The Overcoat—his ardent perfectionism has earned him the nickname “The Golden Snail”. The project has met numerous financial troubles and false starts, but Norshteyn has said that it currently has reliable funding from several sources, both from within and from without Russia. At least 25 minutes have been completed and more of the film is expected to be released at the end of 2007. A couple of short, low-resolution clips have been made available to the public: [1] and [2]. The first 20 minutes of the film have also toured among various exhibits of Norshteyn’s work in Russian museums. The full film is expected to be 65 minutes long.

Norshteyn wrote an essay for a book by Giannalberto Bendazzi about the pinscreen animator Alexandre Alexeïeff titled Alexeieff - Itinerary of a Master.

In 2005, he released a Russian-language book titled Snow on the Grass, featuring a number of lectures that he gave about the art of animation. That same year, he was invited as “guest animator” to work on Kihachiro Kawamoto’s puppet-animated feature film, The Book of the Dead.

Wendy Tilby

Wendy Tilby was born in Edmonton, Canada in 1960. She studied filmmaking and animation at the Emily Carr College of Art and Design in Vancouver. Her first animated film, Tables of Content, enjoyed an impressive career, winning honors around the world, including the Grand Prix de Montreal. With the success of this student film, Tilby was invited to work at the national film Board’s studio A under a program established to encourage promising young animation graduates. String (1991), which is richly rendered in paint on glass, marked her first NFB film and won over 13 awards at international events including Annecy Festival.

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Paul Driessen

Paul Driessen (born 1940) is a Dutch film director, animator and writer. His short films have won more than fifty prizes all over the world, including the Life Achievement Awards at both Ottawa and Zagreb animation festivals, and an Academy Award nomination for “3 misses”.

After studying graphic design and illustration at the Art Academy in Utrecht, Driessen began animating TV-commercials in Holland in the 1960, although he had no training in that art at all. When George Dunning, in search for talent, found Driessen at the Cine Cartoon Centre in Hilversum, he hired him as an animator for his feature animation film Yellow Submarine (1968). He also helped Driessen to emigrate to Canada where he became a member of the National Film Board of Canada in 1972.

Driessen’s unique style can be easily recognised by the delicate quality of his ever-moving and wiggling lines, as well as by the fluid but awkward movements of his characters. His storytelling sometimes splits up the screen into three or even six different parts, with all actions nicely woven into each other.

In the 1980s Driessen taught animation at the University of Kassel, Germany, after Jan Lenica. Two of his student’s films, “Balance” by Christoph and Wolfgang Lauenstein, and “Quest” by Tyron Montgomery and Thomas Stellmach, won Academy Awards.

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Michael Dudok de Wit

Michael Dudok de Wit (born in 1953, Holland) is an animator, director and illustrator. In 1978, he graduated from the West Surrey College of Art with his first film The Interview. After working for a year in Barcelona, he settled in London where he directs and animates award-winning commercials for television and cinema. In 1992, he created the short film Tom Sweep, followed by The Monk and the Fish (1994), which was made in France with the studio Folimage. This film was nominated for an Oscar and has won numerous prizes including a César Award for Best Short Film and the Cartoon d’Or. Michael also writes and illustrates children’s picture books and teaches animation at art colleges in England and abroad.

His most well-known film Father and Daughter (2000) won an Academy Award, a BAFTA Award, the Grand Prix at Annecy, and dozens of other major awards. His most recent short film is “The Aroma of Tea” (2006), drawn entirely with tea.

All of his films since Tom Sweep feature Michael’s trademark brush stroke drawing and his use of ink and watercolour, very much inspired by Chinese and Japanese art.]